A SALUTE LEGIONARY =)
Saturday, December 25, 2010
Wednesday, December 22, 2010
Why Did You Need To Transfer The
Joan Bruguera. (Barcelona, \u200b\u200b1860 - idem, 1926) - Modernism.
VIRGIN WITH CHILD. 1920. Oil on canvas. Medallion of 61 cm diameter. Abbey of Montserrat. Heading
blog: SAN JOSE AND THE CHILD JESUS. (As above.)
CHRISTMAS MERRY CHRISTMAS, NEW YEAR AND REYES, HEART WISHES YOU, YOUR FRIEND CLARIANA.
Llimona i Joan Bruguera (Barcelona, \u200b\u200b1860 - ditto, 1926)
Llotja studied at the School of Barcelona and also attended most of the race of architecture. With his brother, the sculptor Josep Llimona, lived in Italy for four years.
His great religion was transmitted to his work despite being of modernism was decanted into mysticism, creating a world of sentimental realism. It was an excellent draftsman.
also was devoted to the mural, his most important work in this area was the decoration of the dome of the chapel of the Virgin of Montserrat monastery, completed in 1898. Other murals are: the dome of the Carmelite church in Vic, the transept of the church of San Felipe Neri in Barcelona in 1902 (where the face of San Felipe Corresponding to Antoni Gaudí Neri) and the niche of the shrine of Loreto in Bràfim in 1923. Founded with Josep Torras i Bages and his brother Joseph the Cercle Artistic de Sant Lluc in 1892.
(Information obtained from Wikipedia)
In an initiative of my friend's blog DUNCAN HOW DO YOU WANT TO COUNT ON STARS?
http://duncandegross.blogspot.com/ to put this video on YOUTUBE during the holidays.
I made you smile, I hope you do too.
Thursday, December 16, 2010
How To Wash A Duffle Bag
Ando Hiroshige. Dibujante, Japanese painter and engraver. 1797 in Edo (now Tokyo) -1858 (en la Ciudad same.)
Utagawa Hiroshige. (1797-1858) was one of the greatest Japanese landscape, bringing this discipline to a level of artistry and unparalleled style. Distinguished by a series of engravings on Mount Fuji and Edo (now Tokyo), masterfully drawing landscapes and atmosphere of the city, capturing moments of everyday life in the city before its transformation to the Meiji (1868 - 1912). These works are characterized by a vertical format for control reliable subtle colors - with the domain of green and blue - and his sense of foreground, which will be resumed later by photography and then film.
; ;
OVERVIEW. Utagawa Hiroshige
is a designer, engraver and painter Japanese. Born in 1797 in Edo (now Tokyo) and died in the same city in 1858. A prolific writer, active between 1818 and 1858, his work consists of over 5,400 prints.
is the last of the great names of Ukiyo-e and in particular the engraving to be led to a unique peak before the decline of the woodcut in Japan, following a story that only have lasted a century. Breaking with their teachers, Hiroshige is the humble interpreter of nature, but mostly it's a real magician when expressed with the help of the spent media of engraving on wood, raising the delicate transparency of the atmosphere to the rhythm of the seasons, in landscapes where the man is always present. Link it traps us.
Shortly after the forced opening of Japan to the West intercambioscomerciales is mainly through the work of Hiroshige, that by 1870 the world discovers the astonishing originality of the graphic arts in this country. Japan would have a decisive influence on the Impressionist painters and then to the Art Nouveau.
HIS WORK. Excellent
xylograph recorder and was one of the best representatives School pictures of the floating world, ukiyo-e. His genius for landscape compositions was recognized by Western painters and much admired by the Impressionists and Post. He was the son of Ando
Genemon, keeper of the Edo fire brigade, that is a samurai in charge of fire prevention, which was one of the Tokugawa shogun hereditary vassalage. It is known for his fondness for drawing since childhood. In the spring of 1809, when Hiroshige was twelve years old, his mother died shortly after his father resigned his position as a guard and handed him his son died the following year.
Hiroshige daily obligations as guardian of the fire brigade were minimal, but his salary was too small and these factors, plus their natural inclination to drawing, made in 1811 will become part of the school of Ukiyo-e master Utagawa Toyohiro. In 1812 he took the name of his master (degree symbol) and signed his paintings with the name Utagawa Hiroshige. He became one of the favorite disciples of the teacher, and was undoubtedly the refined taste of the teacher what was shaping the style of Hiroshige which led in turn by his own genius, became the best prints from landscapes.
Although he received the name of artist and leave school early, at the age of fifteen, Hiroshige was no child prodigy, and really did not publicly presented their art work up to three years later, in 1818. In the field of book illustration created a brand, Ichiyusai Hiroshige. During his student did some work for the study of Toyohiro and also dedicated to the knowledge of Chinese art, the influence of Kano style and Shijo impressionist style, which greatly influenced his later style.
As soon as he could, Hiroshige pierced his guard post fire to his son and he dedicated himself completely to his art. As usual with most lower-class artists of the Ukiyo-e school, little is known more biographical data, Japanese society since the time these people considered solely on its artistic side, and although his works were in great demand and were even treasured, almost all our personal interest in the career of these artists. So, what is known of Hiroshige adult to crawl through their work.
Hiroshige's artistic life can be divided into three stages. The first, its long period of student, from 1811 to 1830, during which imitated the work of the great masters prints made mainly of figures, girls, agents, or samurai warriors. The second is his first period of landscape, which ran from 1830 and until 1844, when which developed its own romantic ideal of landscape. His paintings of birds and flowers are fully achieved his most famous Fifty-three scenes of the Tokaido (Tokaido gojusan-tsugi) and other series of prints depicting views of the landscape of Japan. His next step, developed between 1844 and 1858, is characterized by the impressions of landscapes in which is introduced the human figure, is a stage in which Hiroshige became a very popular artist but too much lowers the production of works their quality.
In 1856 he took the religious habit as a Buddhist priest. He died of cholera on October 12, 1858 in Edo. Became
everyday landscapes Scenes of great lyrical intimacy that gave him even more commercially successful than his contemporary, Hokusai. Next to him, dominated the Japanese folk art in the first half of the nineteenth century. His work was not as innovative as the first but was able to capture in a subtle, poetic and easy to understand the current experience people had of the Japanese landscape and the various features of the memorable places for different times of the day . The snow, rain, fog and moonlight scenes composed some of his poetic masterpieces.
Although Hiroshige had shown early promise as an artistic it was not until 1832, when fully developed talent. That year he traveled between Edo and Kyoto along the Tokaido road, which made drawings and drafts of the fifty-three stages of his journey. In this material the same year he published fifty-five woodcuts entitled Fifty-three scenes of the Tokaido. The success of this series was immediate and Hiroshige became one of the most popular artists of the Ukiyo-e school.
later made other trips to Japan of whom were recorded as a series of sixty-nine scenes in the Kiso Road, Views of Edo, eight views of Lake Biwa, Kyoto Famous. Moreover, on several occasions made new designs in the series Fifty-three scenes of the Tokaido with the drawings that were left unpublished.
The quality of his work declined at the end of his life, largely due to the demands of his publisher and his own need for money.
Hiroshige It is estimated that reached more than 5,000 stamp impressions and some 10,000 copies out of some of its blocks.
TITLES OF: Heading
blog: COASTAL LANDSCAPE.
n ª 1 - SWALOW AND WISTERIA
No. 2 -
n º 3 - SPARROW, MOON, AND PEACH BLOSSOMS.
n º 4 -
n º 5 - Sparrows AND CAMELLIA IN A SNOWSTORM.
n º 6 -
n º 7 - A LONG-TAILED BLUE BIRD ON A BLOOMING PLUM BRANCH.
n º 8 - OWL ON A BRANCH PINE.
n º 9 - Poling BOATS MEN PAST WITH A BANK WILOWS, 1858
# 10 - HORSE-AND PRAWN mackerel.
n º 11 - FOXES IN THE NEW YEAR'S FIRE UNDER THE TREE CHANGING.
n º 12 - Susaki AND NEAR PLAIN JÜMANTSUBO
Fukagawa (A tsubo is a Japanese unit of measurement equal to 3,306 m². In this case, 100,000 tsubo are 0.3 km ²)
n º 13 - Shrine Benzaiten Inokashira IN POND AND SNOW.
n º 14 - CARDINAL AND CAMELLIA.
n º 15 - Blossoming PLUM GREEN BIRD ON BRANCH.
; ;
OVERVIEW. Utagawa Hiroshige
is a designer, engraver and painter Japanese. Born in 1797 in Edo (now Tokyo) and died in the same city in 1858. A prolific writer, active between 1818 and 1858, his work consists of over 5,400 prints.
is the last of the great names of Ukiyo-e and in particular the engraving to be led to a unique peak before the decline of the woodcut in Japan, following a story that only have lasted a century. Breaking with their teachers, Hiroshige is the humble interpreter of nature, but mostly it's a real magician when expressed with the help of the spent media of engraving on wood, raising the delicate transparency of the atmosphere to the rhythm of the seasons, in landscapes where the man is always present. Link it traps us.
Shortly after the forced opening of Japan to the West intercambioscomerciales is mainly through the work of Hiroshige, that by 1870 the world discovers the astonishing originality of the graphic arts in this country. Japan would have a decisive influence on the Impressionist painters and then to the Art Nouveau.
HIS WORK. Excellent
xylograph recorder and was one of the best representatives School pictures of the floating world, ukiyo-e. His genius for landscape compositions was recognized by Western painters and much admired by the Impressionists and Post. He was the son of Ando
Genemon, keeper of the Edo fire brigade, that is a samurai in charge of fire prevention, which was one of the Tokugawa shogun hereditary vassalage. It is known for his fondness for drawing since childhood. In the spring of 1809, when Hiroshige was twelve years old, his mother died shortly after his father resigned his position as a guard and handed him his son died the following year.
Hiroshige daily obligations as guardian of the fire brigade were minimal, but his salary was too small and these factors, plus their natural inclination to drawing, made in 1811 will become part of the school of Ukiyo-e master Utagawa Toyohiro. In 1812 he took the name of his master (degree symbol) and signed his paintings with the name Utagawa Hiroshige. He became one of the favorite disciples of the teacher, and was undoubtedly the refined taste of the teacher what was shaping the style of Hiroshige which led in turn by his own genius, became the best prints from landscapes.
Although he received the name of artist and leave school early, at the age of fifteen, Hiroshige was no child prodigy, and really did not publicly presented their art work up to three years later, in 1818. In the field of book illustration created a brand, Ichiyusai Hiroshige. During his student did some work for the study of Toyohiro and also dedicated to the knowledge of Chinese art, the influence of Kano style and Shijo impressionist style, which greatly influenced his later style.
As soon as he could, Hiroshige pierced his guard post fire to his son and he dedicated himself completely to his art. As usual with most lower-class artists of the Ukiyo-e school, little is known more biographical data, Japanese society since the time these people considered solely on its artistic side, and although his works were in great demand and were even treasured, almost all our personal interest in the career of these artists. So, what is known of Hiroshige adult to crawl through their work.
Hiroshige's artistic life can be divided into three stages. The first, its long period of student, from 1811 to 1830, during which imitated the work of the great masters prints made mainly of figures, girls, agents, or samurai warriors. The second is his first period of landscape, which ran from 1830 and until 1844, when which developed its own romantic ideal of landscape. His paintings of birds and flowers are fully achieved his most famous Fifty-three scenes of the Tokaido (Tokaido gojusan-tsugi) and other series of prints depicting views of the landscape of Japan. His next step, developed between 1844 and 1858, is characterized by the impressions of landscapes in which is introduced the human figure, is a stage in which Hiroshige became a very popular artist but too much lowers the production of works their quality.
In 1856 he took the religious habit as a Buddhist priest. He died of cholera on October 12, 1858 in Edo. Became
everyday landscapes Scenes of great lyrical intimacy that gave him even more commercially successful than his contemporary, Hokusai. Next to him, dominated the Japanese folk art in the first half of the nineteenth century. His work was not as innovative as the first but was able to capture in a subtle, poetic and easy to understand the current experience people had of the Japanese landscape and the various features of the memorable places for different times of the day . The snow, rain, fog and moonlight scenes composed some of his poetic masterpieces.
Although Hiroshige had shown early promise as an artistic it was not until 1832, when fully developed talent. That year he traveled between Edo and Kyoto along the Tokaido road, which made drawings and drafts of the fifty-three stages of his journey. In this material the same year he published fifty-five woodcuts entitled Fifty-three scenes of the Tokaido. The success of this series was immediate and Hiroshige became one of the most popular artists of the Ukiyo-e school.
later made other trips to Japan of whom were recorded as a series of sixty-nine scenes in the Kiso Road, Views of Edo, eight views of Lake Biwa, Kyoto Famous. Moreover, on several occasions made new designs in the series Fifty-three scenes of the Tokaido with the drawings that were left unpublished.
The quality of his work declined at the end of his life, largely due to the demands of his publisher and his own need for money.
Hiroshige It is estimated that reached more than 5,000 stamp impressions and some 10,000 copies out of some of its blocks.
TITLES OF: Heading
blog: COASTAL LANDSCAPE.
n ª 1 - SWALOW AND WISTERIA
No. 2 -
n º 3 - SPARROW, MOON, AND PEACH BLOSSOMS.
n º 4 -
n º 5 - Sparrows AND CAMELLIA IN A SNOWSTORM.
n º 6 -
n º 7 - A LONG-TAILED BLUE BIRD ON A BLOOMING PLUM BRANCH.
n º 8 - OWL ON A BRANCH PINE.
n º 9 - Poling BOATS MEN PAST WITH A BANK WILOWS, 1858
# 10 - HORSE-AND PRAWN mackerel.
n º 11 - FOXES IN THE NEW YEAR'S FIRE UNDER THE TREE CHANGING.
n º 12 - Susaki AND NEAR PLAIN JÜMANTSUBO
Fukagawa (A tsubo is a Japanese unit of measurement equal to 3,306 m². In this case, 100,000 tsubo are 0.3 km ²)
n º 13 - Shrine Benzaiten Inokashira IN POND AND SNOW.
n º 14 - CARDINAL AND CAMELLIA.
n º 15 - Blossoming PLUM GREEN BIRD ON BRANCH.
Monday, December 6, 2010
Who To Contact About Writing An Inmate Phoenix Az
DANIEL ALFONSO Manuel Rodríguez Castelao. Rianxo (Galicia.) 1886-Buenos Aires (Argentina) 1950 Historical Vanguardia Realism, Expressionism, Social Protest. Modernism. Posters, cartoons ...
RIA. Historical avant / Realism. Oil on cardboard. Museo de Pontevedra. Pontevedra.
Almonds. Vanguards Historic / Realism. Museum of Pontevedra.
Chestnut Valley. Vanger. Hist. / Realism. Mixed media on paper. Museum of Pontevedra.
in old age. Vanger. Hist. / Expressionism. Illustration. Museum of Pontevedra.
THINGS. Vang. / Hist. / Expressionism. Ink on paper. Museum of Pontevedra.
Paraná. Vanger. Hysteria. Realism. Mixed media on paper. Museum of Pontevedra.
EL emigrants. Vanger. Hist. / Realism. Social protest. Oil on canvas. Collection Box Vigo and Ourense.
ILLUSTRATION OF NOS. No. 1 Modernism. Sketches and dibujos.
self-portrait. Vanger. Hist. / Realism. Pencil on paper. Private collection.
blind to the door of the Chapel. Vanger. Hysteria. Realism. Pencil on paper. Museum of Pontevedra.
Manuel Alfonso Daniel Rodríguez Castelao (Rianxo, Spain, in 1886, Buenos Aires, Argentina in 1950) fue a politician, writer, painter, doctor and dibujante gallego as one of them priests of Galician nationalism. He studied medicine and said: Fixenme doctor of love for my father, not I exercise the profession of love for humanity ("Me hice doctor for the love of my Father; ejerzo in the profession of love for humanity").
Son of Manuel Rodriguez God, fisherman, and Joaquina Castelao Genma. Manuel emigrated to Argentina after three months of the birth of Daniel, and in the course of 1895 also emigrated Joaquina, leading to small Alfonso, to go live with her husband in Bernasconi, in Pampa. There he lived until 1900 and as Castelao told himself discovered the value of the comic reading Faces and Masks.
studied medicine at the University of Santiago de Compostela. During his years in college springs his interest in drawing and painting and especially for the cartoon. In 1908 he exhibited his drawings in Madrid and began to work with Life magazine Galicia. Between 1909 and 1910 makes a doctoral course in Madrid and participates in the Third National Exhibition of Comedians and works as an illustrator for The Weekly Tale. In 1910 in Santiago specializes in obstetrics and finish Rianxo is installed in your home. During this period co-founded the weekly El Barbero Municipal (1910-1914), in which he wrote attacking the Galician cacique system, entering local politics within the local Conservative Party in a line Maurista.
gives its first conference in March 1911, in Vigo, talking about the cartoon and over the years had exhibitions of his cartoons in several Galician cities. In 1912 he joined the movement Galician Action and 19 October the same year he married Virxinia Pereira. During this period contributed to many periodicals such as The Liberal, The Great Fool, The Enlightenment Gallega and Asturiana, Mi Tierra, Swabia, La Voz de Galicia Buenos Aires, which helped popularize his cartoons.
A detachment leaves him blind in 1914, but an operation restores the sight. In 1915 he participated in the Exhibition of Fine Arts in Madrid, which gets high praise from critics. In 1916 obtained a position in opposition to the delegation of Pontevedra Geographic and Statistical Institute in that year was one of the founders of the local branch of the Irmandades da Fala. In 1918 he began collaborating with the Madrid daily El Sol
With Vicente Risco, Otero Pedrayo and others founded the journal Nós ("We"), which flowed around the political and cultural life of Galicia between 1920 and 1936. In January 1921, thanks to a grant from the Board of Advanced Studies, traveled to France, Belgium and Germany to study the art of these countries. The result of that trip was the day he wrote and published in the journal Nós part and appeared in book form in 1977 with Journal title 1921. In 1926 he was named Academic of the Royal Academy of Galicia.
The January 3, 1928 death of his son Alfonso of fourteen, and that year went to Britain with his wife on a study trip to study Breton cruises materialized in the book As Cruces de Pedra na Britain ("The Stone Crosses in Britain") in May 1930. It was also deeply affected by the death of Antón Losada Diéguez on October 15, 1929. In 1931 was elected as independent galleguista the Constituent Cortes of the Second Republic and participated in the Party's constitution Galeguista.
Member of the Galician Royal Academy since 1933, was confined in Badajoz in November 1934. During his stay in Extremadura for A Nosa Terra wrote a series of articles under the title of verbs of pear ("Words of lead") subsequently integrated into Sempre en Galiza. On September 6, 1935 put an end to exile after the efforts of the new Minister of the Interior, Manuel Portela Valladares. In 1936 he was again chosen deputy of the Popular Front candidate. He participated prominently in the campaign for a yes to the Statute of Autonomy of Galicia, which was approved by referendum in June 1936.
The military uprising that led to the Civil War caught him in Madrid, settling in Valencia in late 1936 and then in Barcelona. In 1938 he went into exile in New York and participated in the election campaign the Centro Gallego de La Habana and finally, in July 1940 he went to Buenos Aires. He was the top driver of Galicia Council, created in 1944 in Montevideo and sought to bring together the Galician deputies in exile, becoming representative of Galicia between republican institutions in exile. He was president of the Council until his death.
was minister without portfolio in the Republican government in exile headed by Jose Giral (1946-1947) and settled in Paris, the city where he lived until August 1947.
died January 7, 1950 in the sanatorium of the Centro Gallego de Buenos Aires, and was buried on 9 January in the Chacarita Cemetery. His remains were brought back to Galicia in 1984, and now rest in the Pantheon of Illustrious Gallegos, in the monastery of Santo Domingo de Bonaval. Castelao's life has been portrayed by Argentine Jorge Preloran documentary.
Versatile writer, cartoonist, caricaturist, painter, art theorist and politician, his work always reflected his commitment to the Galician and the world. During Franco's exile in 1944 published Sempre en Galiza, since the great text of Galician nationalism. His remains were repatriated and taken to the Pantheon of Illustrious Gallegos in 1984 amid demonstrations nationalists complained that the authorities "who exiled him now honor him."
began the narrative with a collection of short stories A ollo de vidro ("A glass eye") in 1922. In Cousas ("Things"), Retrincos ("Pieces") and dous I Sempra ("The two of Forever"), establishes a single set in Galician literature, culminating in the collection of essays Sempre en Galiza, connecting literature, politics and theory of Galician. His literary vision tends to demystify the topics manners with a sarcastic humor and, occasionally grotesque. Caste is undoubtedly the most prominent Galician twentieth century. He dedicated the second Day of Galician Literature in 1964.
His drawings, complete with sharp text, show the rural Galicia, chieftaincy, the poor, the blind, the homeless, people suffering from a realistic, critical but humorous.
album In Nós (1931) shows a collection drawings dating from 1916 to 1918. The latest albums are the expression of the horrors of the English Civil War.
(Information obtained from Wikipedia)
The
GALICIA. Vanger. Hist-/Expresionismo. Sketches and dibujos.
THE DEEP. THINGS. Vanger. Hysteria. Realism. Sketches and dibujos. Museum of Pontevedra.
COVERAGE Attila in GALICIA. Vanger. Hist. / Expressionism. Museum of Pontevedra.
CRUISE. Vanger. Hysteria. Expressionism. Private collection.
blind sailor. Vanger. Hysteria. Realism. Mixed media on paper. Museum of Pontevedra.
Manuel Alfonso Daniel Rodríguez Castelao (Rianxo, Spain, in 1886, Buenos Aires, Argentina in 1950) fue a politician, writer, painter, doctor and dibujante gallego as one of them priests of Galician nationalism. He studied medicine and said: Fixenme doctor of love for my father, not I exercise the profession of love for humanity ("Me hice doctor for the love of my Father; ejerzo in the profession of love for humanity").
Son of Manuel Rodriguez God, fisherman, and Joaquina Castelao Genma. Manuel emigrated to Argentina after three months of the birth of Daniel, and in the course of 1895 also emigrated Joaquina, leading to small Alfonso, to go live with her husband in Bernasconi, in Pampa. There he lived until 1900 and as Castelao told himself discovered the value of the comic reading Faces and Masks.
studied medicine at the University of Santiago de Compostela. During his years in college springs his interest in drawing and painting and especially for the cartoon. In 1908 he exhibited his drawings in Madrid and began to work with Life magazine Galicia. Between 1909 and 1910 makes a doctoral course in Madrid and participates in the Third National Exhibition of Comedians and works as an illustrator for The Weekly Tale. In 1910 in Santiago specializes in obstetrics and finish Rianxo is installed in your home. During this period co-founded the weekly El Barbero Municipal (1910-1914), in which he wrote attacking the Galician cacique system, entering local politics within the local Conservative Party in a line Maurista.
gives its first conference in March 1911, in Vigo, talking about the cartoon and over the years had exhibitions of his cartoons in several Galician cities. In 1912 he joined the movement Galician Action and 19 October the same year he married Virxinia Pereira. During this period contributed to many periodicals such as The Liberal, The Great Fool, The Enlightenment Gallega and Asturiana, Mi Tierra, Swabia, La Voz de Galicia Buenos Aires, which helped popularize his cartoons.
A detachment leaves him blind in 1914, but an operation restores the sight. In 1915 he participated in the Exhibition of Fine Arts in Madrid, which gets high praise from critics. In 1916 obtained a position in opposition to the delegation of Pontevedra Geographic and Statistical Institute in that year was one of the founders of the local branch of the Irmandades da Fala. In 1918 he began collaborating with the Madrid daily El Sol
With Vicente Risco, Otero Pedrayo and others founded the journal Nós ("We"), which flowed around the political and cultural life of Galicia between 1920 and 1936. In January 1921, thanks to a grant from the Board of Advanced Studies, traveled to France, Belgium and Germany to study the art of these countries. The result of that trip was the day he wrote and published in the journal Nós part and appeared in book form in 1977 with Journal title 1921. In 1926 he was named Academic of the Royal Academy of Galicia.
The January 3, 1928 death of his son Alfonso of fourteen, and that year went to Britain with his wife on a study trip to study Breton cruises materialized in the book As Cruces de Pedra na Britain ("The Stone Crosses in Britain") in May 1930. It was also deeply affected by the death of Antón Losada Diéguez on October 15, 1929. In 1931 was elected as independent galleguista the Constituent Cortes of the Second Republic and participated in the Party's constitution Galeguista.
Member of the Galician Royal Academy since 1933, was confined in Badajoz in November 1934. During his stay in Extremadura for A Nosa Terra wrote a series of articles under the title of verbs of pear ("Words of lead") subsequently integrated into Sempre en Galiza. On September 6, 1935 put an end to exile after the efforts of the new Minister of the Interior, Manuel Portela Valladares. In 1936 he was again chosen deputy of the Popular Front candidate. He participated prominently in the campaign for a yes to the Statute of Autonomy of Galicia, which was approved by referendum in June 1936.
The military uprising that led to the Civil War caught him in Madrid, settling in Valencia in late 1936 and then in Barcelona. In 1938 he went into exile in New York and participated in the election campaign the Centro Gallego de La Habana and finally, in July 1940 he went to Buenos Aires. He was the top driver of Galicia Council, created in 1944 in Montevideo and sought to bring together the Galician deputies in exile, becoming representative of Galicia between republican institutions in exile. He was president of the Council until his death.
was minister without portfolio in the Republican government in exile headed by Jose Giral (1946-1947) and settled in Paris, the city where he lived until August 1947.
died January 7, 1950 in the sanatorium of the Centro Gallego de Buenos Aires, and was buried on 9 January in the Chacarita Cemetery. His remains were brought back to Galicia in 1984, and now rest in the Pantheon of Illustrious Gallegos, in the monastery of Santo Domingo de Bonaval. Castelao's life has been portrayed by Argentine Jorge Preloran documentary.
Versatile writer, cartoonist, caricaturist, painter, art theorist and politician, his work always reflected his commitment to the Galician and the world. During Franco's exile in 1944 published Sempre en Galiza, since the great text of Galician nationalism. His remains were repatriated and taken to the Pantheon of Illustrious Gallegos in 1984 amid demonstrations nationalists complained that the authorities "who exiled him now honor him."
began the narrative with a collection of short stories A ollo de vidro ("A glass eye") in 1922. In Cousas ("Things"), Retrincos ("Pieces") and dous I Sempra ("The two of Forever"), establishes a single set in Galician literature, culminating in the collection of essays Sempre en Galiza, connecting literature, politics and theory of Galician. His literary vision tends to demystify the topics manners with a sarcastic humor and, occasionally grotesque. Caste is undoubtedly the most prominent Galician twentieth century. He dedicated the second Day of Galician Literature in 1964.
His drawings, complete with sharp text, show the rural Galicia, chieftaincy, the poor, the blind, the homeless, people suffering from a realistic, critical but humorous.
album In Nós (1931) shows a collection drawings dating from 1916 to 1918. The latest albums are the expression of the horrors of the English Civil War.
(Information obtained from Wikipedia)
The
GALICIA. Vanger. Hist-/Expresionismo. Sketches and dibujos.
COVERAGE Attila in GALICIA. Vanger. Hist. / Expressionism. Museum of Pontevedra.
Thursday, December 2, 2010
Spanish Wedding Response Card Wording
Manya Manya zero + 1 ... FOR SALE!
have arrived! the two editions: Manya Manya zero and 1 now on sale! And Surprises for the purchase of manya zero =)
Greetings! ; D 
have arrived! the two editions: Manya Manya zero and 1 now on sale! And Surprises for the purchase of manya zero =)
can locate seeing this poster!
Greetings! ; D
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