Friday, May 6, 2011

Logitech Usb 350 On Ps3

Benvenuto Benvenuti. 1881 Livorno - Livorno 1959 - Impressionism, Post-Impressionism, Symbolism, Pointillist technique / divisions or historical vanguards realism.



THE LANTERN. Etching and aquatint on zinc plate. Private collection. Livorno.Italia.


SUMMER. Oil on canvas. Private Collection 1907 - Puntillo / Divisions.

AERE MISTACA. Oil on canvas. Private Collection 1920 - Symbolism.

THE MILL, THE NIGHT AND STORM. Oil on canvas. Private Collection 1925 - Symbolism.


SMALL religious songs. Oil on canvas. Private collection .- Symbolism.



moonlit night the little cemetery. Triptych. Oil on canvas. Private collection.

CEMETERY CEMETERY OF ANGELS OR EL TROMONTO. Triptych. Oil on canvas. Private collection .- Symbolism.

FLOCK ON THE WAY. Oil on canvas. Private Collection 1925 - Symbolism
ALBA in Padula. Oil on canvas. Private collection. Milan (Italy.) - Symbolism.

PONTE SUL. Olio your fabric. Collezione privata. Livorno (Italy.) - Symbolism.

CIPRESSA E COLOMBE. Trittico. Olio your fabric. Collezione privata. - Symbolism.


LA NOTTE DI NATALE. Olio your fabric. Collezione privata. - Symbolism. BIOGRAPHICAL LIST

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Born in Livorno, October 05, 1881. Its history is linked to some of the most important Italian painters pointillist (especially Vittore Grubicy De Dragon).


His first teacher was Lorenzo Cecchi, a teacher at the school of arts and crafts of Livorno.

His debut is a landscape in 1896, when he was 15. During this initial stage, ranging from 1896 to 1899, has very strong influences Macchiaioli. He becomes friends with several artists, for example, Lloyd Llewelyn and is strongly influenced by Adolfo Tommasi and Signorini.

In 1900 the artist began a phase characterized by divisive experiments. In its first ten or fifteen years of work, has an eclectic approach is not rigorous, choosing what convinces him by different artists in different eras. El Caballo "crib" and "Triptych of Claim" of 1901-1902 are two examples of its experimental phase.

Encountering Grubicy in 1902 marks the beginning of a friendship very intense, especially after moving to Milan with him, first for a year and then periodically until 1920. Welcome to the painting is about powdery texture pearly tone of his friend and teacher.

Livorno in 1907 exposed seven landscapes Grubucy Gallery in Paris, and two years later, still in this city, in the Hall of Automme with friends Lloyd and Llewelyn Novellini Livorno. In 1911 he exhibited at Milan in the Commonwealth Arts Festival.

then moved to Livorno in 1921 resumed activity in the Biennial Exhibition First Roman with his friend Lloyd Novellini.

In the twenties pays special attention to graphics - mostly drawings and lithographs -. The result is a special exhibition at Gallery 1933 in Milan.

In 1935, Pierotti Of Blood organized a solo exhibition at the Gallery Scopinich Milan. Welcome
also published an essay titled: The idea and the light in the pointillist painting and my exhibition in Milan.
After the Second World War, during which he lives with his family near Lucca, once again out in 1945 in the heel gallery in Milan and in 1948, Casa Dante in Florence).
an eye disease causes the interruption of his work in the fifties.
died in 1959 in Livorno, at his home in Antignano.

Fuente del texto y de los cuadros: LA CIUDAD DE LA PINTURA.




CARD. Oil on canvas. Private Collection 1897 - Livorno (Italy.) - Impressions.











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